Publications: Article

Year 2017

The maturing of gamification research

@article{Nacke2017,
author = {Nacke, Lennart E. and Deterding, Sebastian},
doi = {10.1016/j.chb.2016.11.062},
journal = {Computers in Human Behavior},
title = {{The maturing of gamification research}},
year = {2017}
}

Year 2014

BrainHex: A Neurobiological Gamer Typology Survey

@article{nacke2014brainhex,
abstract = {This paper briefly presents a player satisfaction model called BrainHex, which was based on insights from neurobiological findings as well as the results from earlier demographic game design models (DGD1 and DGD2). The model presents seven different archetypes of players: Seeker, Survivor, Daredevil, Mastermind, Conqueror, Socialiser, and Achiever. We explain how each of these player archetypes relates to older player typologies (such as Myers-Briggs), and how each archetype characterizes a specific playing style. We conducted a survey among more than 50,000 players using the BrainHex model as a personality type motivator to gather and compare demographic data to the different BrainHex archetypes. We discuss some results from this survey with a focus on psychometric orientation of respondents, to establish relationships between personality types and BrainHex archetypes.},
author = {Nacke, Lennart E and Bateman, Chris and Mandryk, Regan L},
doi = {10.1016/j.entcom.2013.06.002},
journal = {Entertainment Computing},
mendeley-groups = {HCI Games Group Publications},
number = {1},
pages = {55--62},
publisher = {Elsevier},
title = {{BrainHex: A Neurobiological Gamer Typology Survey}},
url = {https://hcigames.com/download/brainhex-a-neurobiological-gamer-typology-survey},
volume = {5},
year = {2014}
}

This paper briefly presents a player satisfaction model called BrainHex, which was based on insights from neurobiological findings as well as the results from earlier demographic game design models (DGD1 and DGD2). The model presents seven different archetypes of players: Seeker, Survivor, Daredevil, Mastermind, Conqueror, Socialiser, and Achiever. We explain how each of these player archetypes relates to older player typologies (such as Myers-Briggs), and how each archetype characterizes a specific playing style. We conducted a survey among more than 50,000 players using the BrainHex model as a personality type motivator to gather and compare demographic data to the different BrainHex archetypes. We discuss some results from this survey with a focus on psychometric orientation of respondents, to establish relationships between personality types and BrainHex archetypes.

Year 2013

A Regression-Based Method for Lightweight Emotional State Detection in Interactive Environments

@article{nogueira2013regression,
Abstract = {With the popularity increase in affective computing techniques the number of emotion detection and recognition systems has risen considerably. However, despite their steady accuracy improvement, they are yet faced with application domain transferability and practical implementation issues. In this paper, we present a novel methodology for modelling individuals' emotional states in multimedia interactive environments, while addressing the aforemen- tioned transferability and practical implementation issues. Our method relies on a two-layer classification process to classify Arousal and Valence based on four distinct physiological sensor inputs. The first classification layer uses several regression models to normalize each of the sensor inputs across participants and experimental conditions, while also correlating each input to either Arousal or Valence. The second classification layer then employs decision trees to merge the various regression outputs into one optimal Arousal/Valence classification. The presented method not only exhibits convincing accuracy ratings -- 89\% for Arousal and 84\% for Valence - but also presents an adaptable and practical ap- proach at emotional state detection in interactive environment experiences.},
Address = {Angra do Heroísmo, Açores, Portugal},
Author = {P. A. Nogueira, R. A. Rodrigues, E. Oliveira, and L. E. Nacke},
Img = {http://hcigames.com/wp-content/uploads/2015/05/A-Regression-Based-Method-for-Lightweight-Emotional-State-Detection-in-Interactive-Environments.png},
Journal = {Proceedings of epia 2013},
Publisher = {Springer-Verlag Berlin Heidelberg},
Title = {A Regression-Based Method for Lightweight Emotional State Detection in Interactive Environments},
Url = {https://hcigames.com/download/a-regression-based-method-for-lightweight-emotional-state-detection-in-interactive-environments},
Year = {2013},

With the popularity increase in affective computing techniques the number of emotion detection and recognition systems has risen considerably. However, despite their steady accuracy improvement, they are yet faced with application domain transferability and practical implementation issues. In this paper, we present a novel methodology for modelling individuals' emotional states in multimedia interactive environments, while addressing the aforemen- tioned transferability and practical implementation issues. Our method relies on a two-layer classification process to classify Arousal and Valence based on four distinct physiological sensor inputs. The first classification layer uses several regression models to normalize each of the sensor inputs across participants and experimental conditions, while also correlating each input to either Arousal or Valence. The second classification layer then employs decision trees to merge the various regression outputs into one optimal Arousal/Valence classification. The presented method not only exhibits convincing accuracy ratings -- 89\% for Arousal and 84\% for Valence - but also presents an adaptable and practical ap- proach at emotional state detection in interactive environment experiences.

Contextual Influences on Mobile Player Experience--A Game User Experience Model

@article{engl2012contextual,
Abstract = {In this paper we are discussing a new model of mobile gameplay experience with a special focus on contextual influences of play in ubiquitous environments. The model was developed based on prior general gameplay models which were extended and refined based on the results and personal experiences taken from several evaluative user field studies with mobile games. The experimental results point to two different playing contexts: home and mobile, which were evaluated with a gameplay experience questionnaire (GEQ). The GEQ showed significant difference in negative affect and immersion between mobile and home setting, which are moderated by several influencing contextual factors. This leads us to propose a contextual gameplay experience model that accounts for spatial, temporal, social, cultural, and psychological influences in an external context. The implications of the contextual gameplay model are discussed in light of future research.},
Author = {S. Engl and L. E. Nacke},
Doi = {10.1016/j.entcom.2012.06.001},
Img = {http://hcigames.com/wp-content/uploads/2015/02/Contextual-Influences-on-Mobile-Player-Experience–A-Game-User-Experience-Model.png},
Journal = {Entertainment Computing},
Number = {1},
Pages = {83-91},
Publisher = {Elsevier},
Title = {Contextual Influences on Mobile Player Experience--A Game User Experience Model},
Url = {https://hcigames.com/download/contextual-influences-on-mobile-player-experience-a-game-user-experience-model},
Volume = {4},
Year = {2013},

In this paper we are discussing a new model of mobile gameplay experience with a special focus on contextual influences of play in ubiquitous environments. The model was developed based on prior general gameplay models which were extended and refined based on the results and personal experiences taken from several evaluative user field studies with mobile games. The experimental results point to two different playing contexts: home and mobile, which were evaluated with a gameplay experience questionnaire (GEQ). The GEQ showed significant difference in negative affect and immersion between mobile and home setting, which are moderated by several influencing contextual factors. This leads us to propose a contextual gameplay experience model that accounts for spatial, temporal, social, cultural, and psychological influences in an external context. The implications of the contextual gameplay model are discussed in light of future research.

The Effect of Sound on Visual Fidelity Perception in Stereoscopic 3-D

@article{rojas2013effect,
Abstract = {Visual and auditory cues are important facilitators of user engagement in virtual environments and video games. Prior research supports the notion that our perception of visual fidelity (quality) is influenced by auditory stimuli. Understanding exactly how our perception of visual fidelity changes in the pres- ence of multimodal stimuli can potentially impact the design of virtual environments, thus creating more engaging virtual worlds and scenarios. Stereoscopic 3-D display technology provides the users with additional visual information (depth into and out of the screen plane). There have been relatively few studies that have investigated the impact that auditory stimuli have on our perception of visual fidelity in the presence of stereoscopic 3-D. Building on previous work, we examine the effect of auditory stimuli on our perception of visual fidelity within a stereoscopic 3-D environment.},
Author = {D. Rojas, B. Kapralos, A. Hogue, K. Collins, L. E. Nacke, S. Cristancho, C. Conati, and A. Dubrowski},
Doi = {10.1109/TCYB.2013.2269712},
Img = {http://hcigames.com/wp-content/uploads/2015/02/The-Effect-of-Sound-on-Visual-Fidelity-Perception-in-Stereoscopic-3-D.png},
Journal = {IEEE Transactions on Cybernetics},
Number = {6},
Pages = {1572-1583},
Publisher = {IEEE},
Title = {The Effect of Sound on Visual Fidelity Perception in Stereoscopic 3-D},
Url = {https://hcigames.com/download/the-effect-of-sound-on-visual-fidelity-perception-in-stereoscopic-3-d},
Volume = {43},
Year = {2013},

Visual and auditory cues are important facilitators of user engagement in virtual environments and video games. Prior research supports the notion that our perception of visual fidelity (quality) is influenced by auditory stimuli. Understanding exactly how our perception of visual fidelity changes in the pres- ence of multimodal stimuli can potentially impact the design of virtual environments, thus creating more engaging virtual worlds and scenarios. Stereoscopic 3-D display technology provides the users with additional visual information (depth into and out of the screen plane). There have been relatively few studies that have investigated the impact that auditory stimuli have on our perception of visual fidelity in the presence of stereoscopic 3-D. Building on previous work, we examine the effect of auditory stimuli on our perception of visual fidelity within a stereoscopic 3-D environment.

Year 2012

Analysing Social Metrics in an Online Game Site

@article{mcewan2012analysing,
Abstract = {Understanding real-time coordination behaviour around multiplayer games is important as it allows designers to make informed decisions about supporting player communities. However, studying existing sites is difficult because of the amounts and range of data involved. In this paper, we argue for using social accounting metrics to investigate large game sites.},
Address = {Montréal, QC, Canada},
Author = {G. McEwan, C. Gutwin, R. L. Mandryk, and L. E. Nacke},
Img = {http://hcigames.com/wp-content/uploads/2015/02/Analysing-Social-Metrics-in-an-Online-Game-Site.png},
Journal = {Proceedings of grand 2012},
Publisher = {GRAND},
Title = {Analysing Social Metrics in an Online Game Site},
Url = {https://hcigames.com/download/analysing-social-metrics-in-an-online-game-site},
Year = {2012},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/Analysing-Social-Metrics-in-an-Online-Game-Site.pdf}}

Understanding real-time coordination behaviour around multiplayer games is important as it allows designers to make informed decisions about supporting player communities. However, studying existing sites is difficult because of the amounts and range of data involved. In this paper, we argue for using social accounting metrics to investigate large game sites.

Year 2011

Developing a Triangulation System for Digital Game Events, Observational Video, and Psychophysiological Data to Study Emotional Responses to a Virtual Character

@article{matias2011developing,
Abstract = {Game researchers are currently lacking comprehensive data analysis tools that triangulate game events, event-related survey data, and psychophysiological data. Such a tool would allow a comprehensive analysis of player engagement in digital games. The development of this tool was motivated by an experimental psychology study that asked whether emotional reactions to congruent and incongruent emotional stimuli within an intrinsically motivated game task are the same as within the traditional experimental picture-viewing paradigm. To address the needs of our study, we used the Source SDK (Valve Corporation) for creating a system that automates event logging, video management psychophysiological data markup. The system also allowed recording of self-report measures at individual play events without interrupting the game activity.},
Author = {J. M. Kivikangas, L. E. Nacke, and N. Ravaja},
Doi = {10.1016/j.entcom.2011.03.006},
Img = {http://hcigames.com/wp-content/uploads/2015/02/Developing-a-Triangulation-System-for-Digital-Game-Events-Observational-Video-and-Psychophysiological-Data-to-Study-Emotional-Responses-to-a-Virtual-Character.png},
Issn = {18759521},
Journal = {Entertainment computing},
Number = {1},
Pages = {11-16},
Publisher = {Elsevier},
Title = {Developing a Triangulation System for Digital Game Events, Observational Video, and Psychophysiological Data to Study Emotional Responses to a Virtual Character},
Url = {https://hcigames.com/download/developing-a-triangulation-system-for-digital-game-events-observational-video-and-psychophysiological-data-to-study-emotional-responses-to-a-virtual-character},
Volume = {2},
Year = {2011},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/Developing-a-Triangulation-System-for-Digital-Game-Events-Observational-Video-and-Psychophysiological-Data-to-Study-Emotional-Responses-to-a-Virtual-Character.pdf},
BdskUrl2 = {http://dx.doi.org/10.1016/j.entcom.2011.03.006}}

Game researchers are currently lacking comprehensive data analysis tools that triangulate game events, event-related survey data, and psychophysiological data. Such a tool would allow a comprehensive analysis of player engagement in digital games. The development of this tool was motivated by an experimental psychology study that asked whether emotional reactions to congruent and incongruent emotional stimuli within an intrinsically motivated game task are the same as within the traditional experimental picture-viewing paradigm. To address the needs of our study, we used the Source SDK (Valve Corporation) for creating a system that automates event logging, video management psychophysiological data markup. The system also allowed recording of self-report measures at individual play events without interrupting the game activity.

LAIF: A Logging and Interaction Framework for Gaze-Based Interfaces in Virtual Entertainment Environments

@article{nacke2011laif,
Abstract = {Eye tracking is starting to be used for evaluation and interaction in virtual environments. Especially digital games can benefit from an integrated approach, using eye tracking technology for analysis and interaction. One benefit is faster development of gaze interaction games, which can be automatically evaluated in iterative development cycles. For this purpose, we present a framework of programming libraries that enables rapid game development and gameplay analysis within an experimental research environment. The framework presented here is extensible for different kinds of logging (e.g., psychophysiological and in-game behavioral data) and facilitates studies using eye-tracking technology in digital entertainment environments. An experimental study using gaze-only interaction in a digital game is presented and highlights the framework's capacity to create games and evaluate novel entertainment interfaces.},
Author = {L. E. Nacke, S. Stellmach, D. Sasse, J. Niesenhaus, and R. Dachselt},
Doi = {10.1016/j.entcom.2010.09.004},
Img = {http://hcigames.com/wp-content/uploads/2015/02/LAIF-A-Logging-and-Interaction-Framework-for-Gaze-Based-Interfaces-in-Virtual-Entertainment-Environments.png},
Journal = {Entertainment computing},
Keywords = {digital games,eye tracking,gameplay logging,interactive techniques,software tool,xna},
Number = {4},
Pages = {265-273},
Publisher = {Elsevier},
Title = {LAIF: A Logging and Interaction Framework for Gaze-Based Interfaces in Virtual Entertainment Environments},
Url = {https://hcigames.com/download/laif-a-logging-and-interaction-framework-for-gaze-based-interfaces-in-virtual-entertainment-environments},
Volume = {2},
Year = {2011},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/LAIF-A-Logging-and-Interaction-Framework-for-Gaze-Based-Interfaces-in-Virtual-Entertainment-Environments.pdf},
BdskUrl2 = {http://dx.doi.org/10.1016/j.entcom.2010.09.004}}

Eye tracking is starting to be used for evaluation and interaction in virtual environments. Especially digital games can benefit from an integrated approach, using eye tracking technology for analysis and interaction. One benefit is faster development of gaze interaction games, which can be automatically evaluated in iterative development cycles. For this purpose, we present a framework of programming libraries that enables rapid game development and gameplay analysis within an experimental research environment. The framework presented here is extensible for different kinds of logging (e.g., psychophysiological and in-game behavioral data) and facilitates studies using eye-tracking technology in digital entertainment environments. An experimental study using gaze-only interaction in a digital game is presented and highlights the framework's capacity to create games and evaluate novel entertainment interfaces.

Towards a Framework of Player Experience Research

@article{nacke2011towards,
Abstract = {Player Experience (PX), user experience in the specific context of digital games, is currently a nebulous term with no commonly accepted definition or coherent backing theory. In this paper, a brief overview of the current stateof-the-art of PX knowledge is presented, with a specific emphasis on comparing PX research with the massive amount of knowledge currently being generated about user experience in other areas of HCI, notably productivity applications. Furthermore, to outline the current gaps in the knowledge of PX and integrate current research into a unified theoretical framework, creating a shared point of reference for the decidedly multi-disciplinary PX research.},
Address = {Bordeaux, France},
Author = {L. E. Nacke and A. Drachen},
Img = {http://hcigames.com/wp-content/uploads/2015/02/Towards-a-Framework-of-Player-Experience-Research.png},
Journal = {Proceedings of the international workshop on evaluating player experience in games at fdg 2011},
Title = {Towards a Framework of Player Experience Research},
Url = {https://hcigames.com/download/towards-a-framework-of-player-experience-research},
Year = {2011},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/Towards-a-Framework-of-Player-Experience-Research.pdf}}

Player Experience (PX), user experience in the specific context of digital games, is currently a nebulous term with no commonly accepted definition or coherent backing theory. In this paper, a brief overview of the current stateof-the-art of PX knowledge is presented, with a specific emphasis on comparing PX research with the massive amount of knowledge currently being generated about user experience in other areas of HCI, notably productivity applications. Furthermore, to outline the current gaps in the knowledge of PX and integrate current research into a unified theoretical framework, creating a shared point of reference for the decidedly multi-disciplinary PX research.

Year 2010

BioS-Play: Workshop on Multiuser and Social Biosignal Adaptive Games and Playful Applications

@article{kuikkaniemi2010bios,
Abstract = {BioS-Play is a workshop targeted to explore the focused domain of biosignal adaptive games and playful application in a multiuser or social context. Using biosignal instrumentation is an established process in medical domains and experimental psychology. During recent years there have been many efforts in industry and research to develop applications, games and various kinds of interfaces which use biosignal analysis in real time. However, most of these applications are single user setups. According to our earlier work we have realized that there is great potential in developing biosignal adaptive applications for multiuser and social scenarios. The applications we have been developing have been either games or playful applications. Games have unique characteristics, which work well for biosignal augmentation. In addition, games can be used in a laboratory setup for exploring the social biosignal interaction design elements overall in a structured and efficient way. Ultimately, we believe that combination of biosignal adaptation, social and multiuser context, and playful interaction is useful for various kinds of situations and can elicit never before- seen experiences. The workshop organizers have several years of experience in researching games, psychophysiology, multiuser application development, and combination of them all. The workshop will be organized with a help of the Presemo presentation environment, which is also a biosignal, adaptive, social, and playful system. The workshop aims at creating new collaborations by facilitating networking of interested researchers and discussing research future research ventures in this domain, distributing knowledge among participants and developing a roadmap related to the future development in this field. Workshop participants are expected to show interest in developing biosignal prototypes or running experiments with experimental psychophysiological systems. In addition to game researchers and individuals with experience in analyzing and working with biosignals, we hope that also people with experience or strong interest in multiuser applications and social interaction will join the session.},
Address = {Leuven, Belgium},
Author = {K. Kuikkaniemi, M. Turpeinen, H. J. Korhonen, N. Ravaja, G. Chanel, and L. E. Nacke},
Journal = {Proceedings of a workshop at fun and games 2010},
Publisher = {ACM},
Title = {BioS-Play: Workshop on Multiuser and Social Biosignal Adaptive Games and Playful Applications},
Url = {https://hcigames.com/download/bioS-play-workshop-on-multiuser-and-social-biosignal-adaptive-games-and-playful-applications},
Year = {2010},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/BioS-Play-Workshop-on-Multiuser-and-Social-Biosignal-Adaptive-Games-and-Playful-Applications.pdf}}

BioS-Play is a workshop targeted to explore the focused domain of biosignal adaptive games and playful application in a multiuser or social context. Using biosignal instrumentation is an established process in medical domains and experimental psychology. During recent years there have been many efforts in industry and research to develop applications, games and various kinds of interfaces which use biosignal analysis in real time. However, most of these applications are single user setups. According to our earlier work we have realized that there is great potential in developing biosignal adaptive applications for multiuser and social scenarios. The applications we have been developing have been either games or playful applications. Games have unique characteristics, which work well for biosignal augmentation. In addition, games can be used in a laboratory setup for exploring the social biosignal interaction design elements overall in a structured and efficient way. Ultimately, we believe that combination of biosignal adaptation, social and multiuser context, and playful interaction is useful for various kinds of situations and can elicit never before- seen experiences. The workshop organizers have several years of experience in researching games, psychophysiology, multiuser application development, and combination of them all. The workshop will be organized with a help of the Presemo presentation environment, which is also a biosignal, adaptive, social, and playful system. The workshop aims at creating new collaborations by facilitating networking of interested researchers and discussing research future research ventures in this domain, distributing knowledge among participants and developing a roadmap related to the future development in this field. Workshop participants are expected to show interest in developing biosignal prototypes or running experiments with experimental psychophysiological systems. In addition to game researchers and individuals with experience in analyzing and working with biosignals, we hope that also people with experience or strong interest in multiuser applications and social interaction will join the session.

Bringing Digital Games to User Research and User Experience

@article{nackebringing,
Abstract = {In recent years, the gaming industry has grown up and digital games have become more complex products. With this maturity comes an increasing need for formal playtesting methods from user research and scientific methods from academia. Employing user research methods in game development, especially combined qualitative (e.g., questionnaires, interviews) and quantitative (e.g., EEG, EMG, game metrics) methods lead to a better understanding of the relationship and interactions between players and games. This panel gathers game user research industry and academic experts for discussing current methodological advancements and future challenges in playtesting, usability, playability evaluation, and general game user research.},
Address = {Duisburg, Germany},
Author = {L. E. Nacke, J. Niesenhaus, S. Engl, A. Canossa, K. Kuikkaniemi, and T. Immich},
Img = {http://hcigames.com/wp-content/uploads/2015/05/Bringing-Digital-Games-to-User-Research-and-User-Experience.png},
Journal = {Proceedings of the Entertainment Interfaces Track 2010 at Interaktive Kulturen 2010},
Title = {Bringing Digital Games to User Research and User Experience},
Url = {https://hcigames.com/download/bringing-digital-games-to-user-research-and-user-experience},
Year = {2010},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/Bringing-Digital-Games-to-User-Research-and-User-Experience.pdf}}

In recent years, the gaming industry has grown up and digital games have become more complex products. With this maturity comes an increasing need for formal playtesting methods from user research and scientific methods from academia. Employing user research methods in game development, especially combined qualitative (e.g., questionnaires, interviews) and quantitative (e.g., EEG, EMG, game metrics) methods lead to a better understanding of the relationship and interactions between players and games. This panel gathers game user research industry and academic experts for discussing current methodological advancements and future challenges in playtesting, usability, playability evaluation, and general game user research.

Critic-Proofing: Robust Validation Through Data-Mining

@article{livingston2010critic,
Abstract = {Critic-proofing is a modified heuristic evaluation technique, specifically designed to provide a fine-grained, prioritized list of heuristic violations. The critic-proofing technique weights the severity of a problem based on the frequency that similar problems are found in similar games. The severity ratings are calculated using data collected from game reviews, and the severity assigned to a problem during the heuristic evaluation process. However, heuristic techniques have had limited adoption within the video game industry. One reason for this is the perceived lack of validity and robustness of game specific heuristic principles. In this paper, we introduce and outline a new data- mining project designed to validate game-specific heuristic techniques, especially the critic-proofing technique by using the popular game-review aggregation website Metacritic.},
Address = {Leuven, Belgium},
Author = {I. J. Livingston, L. E. Nacke, and R. L. Mandryk},
Img = {http://hcigames.com/wp-content/uploads/2015/02/Critic-Proofing-Robust-Validation-Through-Data-Mining.png},
Journal = {Proceedings of Fun and Games 2010},
Pages = {81-94},
Title = {Critic-Proofing: Robust Validation Through Data-Mining},
Url = {https://hcigames.com/download/critic-proofing-robust-validation-through-data-mining},
Year = {2010},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/Critic-Proofing-Robust-Validation-Through-Data-Mining.pdf}}

Critic-proofing is a modified heuristic evaluation technique, specifically designed to provide a fine-grained, prioritized list of heuristic violations. The critic-proofing technique weights the severity of a problem based on the frequency that similar problems are found in similar games. The severity ratings are calculated using data collected from game reviews, and the severity assigned to a problem during the heuristic evaluation process. However, heuristic techniques have had limited adoption within the video game industry. One reason for this is the perceived lack of validity and robustness of game specific heuristic principles. In this paper, we introduce and outline a new data- mining project designed to validate game-specific heuristic techniques, especially the critic-proofing technique by using the popular game-review aggregation website Metacritic.

Designing Affective Games with Physiological Input

@article{nacke2010designing,
Abstract = {With the advent of new game controllers, traditional input mechanisms for games have changed to include gestural interfaces and camera recognition techniques, which are being further explored with the likes of Sony's PlayStation Move and Microsoft's Kinect. Soon these techniques will include affective input to control game interaction and mechanics. Thus, it is important to explore which game designs work best with which affective input technologies, giving special regard to direct and indirect methods. In this paper, we discuss some affective measurement techniques and development ideas for using these as control mechanisms for affective game design using psychophysiological input.},
Address = {Leuven, Belgium},
Author = {L. E. Nacke and R. L. Mandryk},
Img = {http://hcigames.com/wp-content/uploads/2015/02/Designing-Affective-Games-with-Physiological-Input.png},
Journal = {Proceedings of Fun and Games BiosPlay Workshop 2010},
Publisher = {ACM},
Title = {Designing Affective Games with Physiological Input},
Url = {https://hcigames.com/download/designing-affective-games-with-physiological-input},
Year = {2010},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/Designing-Affective-Games-with-Physiological-Input.pdf}}

With the advent of new game controllers, traditional input mechanisms for games have changed to include gestural interfaces and camera recognition techniques, which are being further explored with the likes of Sony's PlayStation Move and Microsoft's Kinect. Soon these techniques will include affective input to control game interaction and mechanics. Thus, it is important to explore which game designs work best with which affective input technologies, giving special regard to direct and indirect methods. In this paper, we discuss some affective measurement techniques and development ideas for using these as control mechanisms for affective game design using psychophysiological input.

Electroencephalographic Assessment of Player Experience: A Pilot Study in Affective Ludology

@article{NackeSG2010,
Abstract = {Psychophysiological methods, such as electroencephalography (EEG), provide reliable high-resolution measurements of affective player experience. In this article, the authors present a psychophysiological pilot study and its initial results to solidify a research approach they call affective ludology, a research area concerned with the physiological measurement of affective responses to player-game interaction. The study investigates the impact of level design on brainwave activity measured with EEG and on player experience measured with questionnaires. The goal of the study was to investigate cognition, emotion, and player behavior from a psychological perspective. For this purpose, a methodology for assessing gameplay experience with subjective and objective measures was developed extending prior work in physiological measurements of affect in digital gameplay. The authors report the result of this pilot study, the impact of three different level design conditions (boredom, immersion, and flow) on EEG, and subjective indicators of gameplay experience. Results from the subjective gameplay experience questionnaire support the validity of our level design hypotheses. Patterns of EEG spectral power show that the immersion-level design elicits more activity in the theta band, which may support a relationship between virtual spatial navigation or exploration and theta activity. The research shows that facets of gameplay experience can be assessed with affective ludology measures, such as EEG, in which cognitive and affective patterns emerge from different level designs.},
Author = {L. E. Nacke, S. Stellmach, and C. A. Lindley},
Doi = {10.1177/1046878110378140},
Issn = {1046-8781},
Journal = {Simulation & gaming},
Keywords = {affect,affective ludology,affective_computing,bci,biofeedback,biometric,boredom,brain,brain_and_body,challenge,eeg,effects,emotion,enjoyment,flow,flow_experience,game,gamedesign,gameexperience,gamemetrics,gameplay,gameplay experience,games,geq,gxp,hci,human_brain,immersion,methodology,metric,player experience,quantitative,questionnaire,research,science,theory,userexperience,ux},
MendeleyTags = {affect,affective ludology,affective_computing,bci,biofeedback,biometric,boredom,brain,brain_and_body,challenge,eeg,effects,emotion,enjoyment,flow,flow_experience,game,gamedesign,gameexperience,gamemetrics,gameplay,gameplay experience,games,geq,gxp,hci,human_brain,immersion,methodology,metric,player experience,quantitative,questionnaire,research,science,theory,userexperience,ux},
Number = {5},
Pages = {632-655},
Title = {Electroencephalographic Assessment of Player Experience: A Pilot Study in Affective Ludology},
Type = {Journal article},
Url = {http://sag.sagepub.com/cgi/content/abstract/1046878110378140v1 http://sag.sagepub.com/cgi/content/abstract/42/5/632},
Volume = {42},
Year = {2010},
BdskUrl1 = {http://sag.sagepub.com/cgi/content/abstract/1046878110378140v1%20http://sag.sagepub.com/cgi/content/abstract/42/5/632},
BdskUrl2 = {http://dx.doi.org/10.1177/1046878110378140}}

Psychophysiological methods, such as electroencephalography (EEG), provide reliable high-resolution measurements of affective player experience. In this article, the authors present a psychophysiological pilot study and its initial results to solidify a research approach they call affective ludology, a research area concerned with the physiological measurement of affective responses to player-game interaction. The study investigates the impact of level design on brainwave activity measured with EEG and on player experience measured with questionnaires. The goal of the study was to investigate cognition, emotion, and player behavior from a psychological perspective. For this purpose, a methodology for assessing gameplay experience with subjective and objective measures was developed extending prior work in physiological measurements of affect in digital gameplay. The authors report the result of this pilot study, the impact of three different level design conditions (boredom, immersion, and flow) on EEG, and subjective indicators of gameplay experience. Results from the subjective gameplay experience questionnaire support the validity of our level design hypotheses. Patterns of EEG spectral power show that the immersion-level design elicits more activity in the theta band, which may support a relationship between virtual spatial navigation or exploration and theta activity. The research shows that facets of gameplay experience can be assessed with affective ludology measures, such as EEG, in which cognitive and affective patterns emerge from different level designs.

Gameplay Experience Testing with Playability and Usability Surveys-An Experimental Pilot Study

@article{nacke2010gameplay,
Abstract = {This pilot study investigates an experimental methodology for gathering data to create correlations between experiential factors measured by a gameplay experience questionnaire and player quality measures, such as playing frequency, choice of game, and playing time. The characteristics of two distinct games were examined concerning the aspects of game experience, subjective game quality, and game usability. Interactions within the three aspects were identified. The results suggest that gameplay experience dimensions flow and immersion are similarly motivating in different game genres, which however might not be equally enjoyable. On the one hand, usability ratings may be positively influenced when a game provides immersion and flow or on the other hand, flow and immersion may be negatively influenced by poor usability ratings. These results emphasize the need for an approach to classify games based on correlation patterns involving game experience, quality, and usability.},
Address = {Leuven, Belgium},
Author = {L. E. Nacke, J. Schild, and J. Niesenhaus},
Img = {http://hcigames.com/wp-content/uploads/2015/02/Gameplay-Experience-Testing-with-Playability-and-Usability-Surveys-An-Experimental-Pilot-Study.png},
Journal = {Proceedings of the Playability and Player Experience Workshop at Fun and Games 2010},
Pages = {31-45},
Publisher = {ACM},
Title = {Gameplay Experience Testing with Playability and Usability Surveys-An Experimental Pilot Study},
Url = {https://hcigames.com/download/gameplay-experience-testing-with-playability-and-usability-surveys-an-experimental-pilot-study},
Year = {2010},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/Gameplay-Experience-Testing-with-Playability-and-Usability-Surveys-An-Experimental-Pilot-Study.pdf}}

This pilot study investigates an experimental methodology for gathering data to create correlations between experiential factors measured by a gameplay experience questionnaire and player quality measures, such as playing frequency, choice of game, and playing time. The characteristics of two distinct games were examined concerning the aspects of game experience, subjective game quality, and game usability. Interactions within the three aspects were identified. The results suggest that gameplay experience dimensions flow and immersion are similarly motivating in different game genres, which however might not be equally enjoyable. On the one hand, usability ratings may be positively influenced when a game provides immersion and flow or on the other hand, flow and immersion may be negatively influenced by poor usability ratings. These results emphasize the need for an approach to classify games based on correlation patterns involving game experience, quality, and usability.

Methods for Evaluating Gameplay Experience in a Serious Gaming Context

@article{Nacke2010a,
Annote = {This paper presents an approach to formalize gameplay experience evaluation methods applied during the process of player-game interaction and a roadmap for applying these mechanisms in the context of serious games. Based on related work of user experience and player experience models, we propose a three-layer framework of gameplay experience. We also discuss potential use of this framework within the field of game-based learning and serious gaming for sports and health.},
Author = {L. E. Nacke, A. Drachen, and S. Göbel},
Img = {http://hcigames.com/wp-content/uploads/2015/02/Methods-for-Evaluating-Gameplay-Experience-in-a-Serious-Gaming-Context.png},
Journal = {International Journal of Computer Science in Sport},
Keywords = {Affect,Gameplay,Psychophysiology,Serious Gaming,User Experience,experience,gameplay,games,model,theory,ux,ux model},
MendeleyTags = {Affect,Gameplay,Psychophysiology,Serious Gaming,User Experience,theory},
Number = {2},
Title = {Methods for Evaluating Gameplay Experience in a Serious Gaming Context},
Url = {https://hcigames.com/download/methods-for-evaluating-gameplay-experience-in-a-serious-gaming-context},
Volume = {9},
Year = {2010},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/Methods-for-Evaluating-Gameplay-Experience-in-a-Serious-Gaming-Context.pdf}}

This paper presents an approach to formalize gameplay experience evaluation methods applied during the process of player-game interaction and a roadmap for applying these mechanisms in the context of serious games. Based on related work of user experience and player experience models, we propose a three-layer framework of gameplay experience. We also discuss potential use of this framework within the field of game-based learning and serious gaming for sports and health.

More Than a Feeling: Measurement of Sonic User Experience and Psychophysiology in a First-Person Shooter Game

@article{Nacke2010b,
Abstract = {The combination of psychophysiological and psychometric methods provides reliable measurements of affective user experience (UX). Understanding the nature of affective UX in interactive entertainment, especially with a focus on sonic stimuli, is an ongoing research challenge. In the empirical study reported here, participants played a fast-paced, immersive first-person shooter (FPS) game modification, in which sound (on/off) and music (on/off) were manipulated, while psychophysiological recordings of electrodermal activity (EDA) and facial muscle activity (EMG) were recorded in addition to a Game Experience Questionnaire (GEQ). Results indicate no main or interaction effects of sound or music on EMG and EDA. However, a significant main effect of sound on all GEQ dimensions (immersion, tension, competence, flow, negative affect, positive affect, and challenge) was found. In addition, an interaction effect of sound and music on GEQ dimension tension and flow indicates an important relationship of sound and music for gameplay experience. Additionally, we report the results of a correlation between GEQ dimensions and EMG/EDA activity. We conclude subjective measures could advance our understanding of sonic UX in digital games, while affective tonic (i.e., long-term psychophysiological) measures of sonic UX in digital games did not yield statistically significant results. One approach for future affective psychophysiological measures of sonic UX could be experiments investigating phasic (i.e., event-related) psychophysiological measures of sonic gameplay elements in digital games. This could improve our general understanding of sonic UX beyond affective gaming evaluation.},
Author = {L. E. Nacke, M. N. Grimshaw, and C. A. Lindley},
Doi = {10.1016/j.intcom.2010.04.005},
Issn = {09535438},
Journal = {Interacting with computers},
Keywords = {action video games,affective gaming,emotion,entertainment,gameplay experience,psychophysiology,sonic user experience (ux),sonic ux,ux},
MendeleyTags = {emotion,gameplay experience,psychophysiology,sonic ux,ux},
Number = {5},
Pages = {7},
Title = {More Than a Feeling: Measurement of Sonic User Experience and Psychophysiology in a First-Person Shooter Game},
Url = {http://dx.doi.org/10.1016/j.intcom.2010.04.005},
Volume = {22},
Year = {2010},
BdskUrl1 = {http://dx.doi.org/10.1016/j.intcom.2010.04.005}}

The combination of psychophysiological and psychometric methods provides reliable measurements of affective user experience (UX). Understanding the nature of affective UX in interactive entertainment, especially with a focus on sonic stimuli, is an ongoing research challenge. In the empirical study reported here, participants played a fast-paced, immersive first-person shooter (FPS) game modification, in which sound (on/off) and music (on/off) were manipulated, while psychophysiological recordings of electrodermal activity (EDA) and facial muscle activity (EMG) were recorded in addition to a Game Experience Questionnaire (GEQ). Results indicate no main or interaction effects of sound or music on EMG and EDA. However, a significant main effect of sound on all GEQ dimensions (immersion, tension, competence, flow, negative affect, positive affect, and challenge) was found. In addition, an interaction effect of sound and music on GEQ dimension tension and flow indicates an important relationship of sound and music for gameplay experience. Additionally, we report the results of a correlation between GEQ dimensions and EMG/EDA activity. We conclude subjective measures could advance our understanding of sonic UX in digital games, while affective tonic (i.e., long-term psychophysiological) measures of sonic UX in digital games did not yield statistically significant results. One approach for future affective psychophysiological measures of sonic UX could be experiments investigating phasic (i.e., event-related) psychophysiological measures of sonic gameplay elements in digital games. This could improve our general understanding of sonic UX beyond affective gaming evaluation.

Playability and Player Experience of Casual Games

@article{calvi2004playability,
Abstract = {This workshop focuses on the development and use of biometrics tests and data harvesting to evaluate games. Although all game genres are addressed, casual games are considered the preferred focus, since playtesting metrics are very much in demand and yet not much often used within the casual gaming industry, although already standard practice in the larger game development studios. The focus of this workshop consists therefore in defining which methods are best to apply in the domains mentioned above, and in analyzing their efficacy and applicability.},
Address = {Leuven, Belgium},
Author = {L. Calvi, S. Gualeni, K. Nuijten, L. E. Nacke, and K. Poels},
Journal = {Proceedings of Fun and Games 2010},
Title = {Playability and Player Experience of Casual Games},
Url = {https://hcigames.com/download/playability-and-player-experience-of-casual-games},
Year = {2010},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/Playability-and-Player-Experience-of-Casual-Games.pdf}}

This workshop focuses on the development and use of biometrics tests and data harvesting to evaluate games. Although all game genres are addressed, casual games are considered the preferred focus, since playtesting metrics are very much in demand and yet not much often used within the casual gaming industry, although already standard practice in the larger game development studios. The focus of this workshop consists therefore in defining which methods are best to apply in the domains mentioned above, and in analyzing their efficacy and applicability.

Year 2009

Affective Ludology, Flow and Immersion in a First-Person Shooter: Measurement of Player Experience

@article{Nacke_AL2009,
Abstract = {Gameplay research about experiential phenomena is a challenging undertaking,given the variety of experiences that gamers encounter when playing and whichcurrently do not have a formal taxonomy, such as flow, immersion, boredom, andfun. These informal terms require a scientific explanation. Ludologists alsoacknowledge the need to understand cognition, emotion, and goal- orientedbehavior of players from a psychological perspective by establishing rigorousmethodologies. This paper builds upon and extends prior work in an area forwhich we would like to coin the term "affective ludology." The area isconcerned with the affective measurement of player-game interaction. Theexperimental study reported here investigated different traits of gameplayexperience using subjective (i.e., questionnaires) and objective (i.e.,psychophysiological) measures. Participants played three Half-Life 2 game leveldesign modifications while measures such as electromyography (EMG),electrodermal activity (EDA) were taken and questionnaire responses werecollected. A level designed for combat-oriented flow experience demonstratedsignificant high-arousal positive affect emotions. This method shows thatemotional patterns emerge from different level designs, which has greatpotential for providing real-time emotional profiles of gameplay that may begenerated together with self- reported subjective player experience descriptions.},
Author = {L. E. Nacke and C. A. Lindley},
Img = {http://hcigames.com/wp-content/uploads/2015/02/Affective-Ludology-Flow-and-Immersino-in-a-First-Person-Shooter-Measurement-of-Player-Experience.png},
Journal = {Loading},
Keywords = {3dve,Game design,affect,affective computing,affective_computing,attention,biofeedback,biometric,effects,emg,emotion,emotional,enjoyment,experience,experimentation,flow,flow_experience,game design,gamedesign,gameexperience,gamemetrics,gameplay,gameplay experience,games,immersion,physiology,playability,player experience,psychophysiology,user experience,ux},
MendeleyTags = {3dve,affect,affective computing,affective_computing,attention,biofeedback,biometric,effects,emg,emotion,emotional,enjoyment,experience,experimentation,flow,flow_experience,game design,gamedesign,gameexperience,gamemetrics,gameplay,games,immersion,physiology,playability,player experience,psychophysiology,user experience,ux},
Number = {5},
Title = {Affective Ludology, Flow and Immersion in a First-Person Shooter: Measurement of Player Experience},
Type = {Journal article},
Url = {https://hcigames.com/download/affective-ludology-flow-and-immersion-in-a-first-person-shooter-measurement-of-player-experience},
Volume = {3},
Year = {2009},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/Affective-Ludology-Flow-and-Immersino-in-a-First-Person-Shooter-Measurement-of-Player-Experience.pdf}}

Gameplay research about experiential phenomena is a challenging undertaking,given the variety of experiences that gamers encounter when playing and whichcurrently do not have a formal taxonomy, such as flow, immersion, boredom, andfun. These informal terms require a scientific explanation. Ludologists alsoacknowledge the need to understand cognition, emotion, and goal- orientedbehavior of players from a psychological perspective by establishing rigorousmethodologies. This paper builds upon and extends prior work in an area forwhich we would like to coin the term "affective ludology." The area isconcerned with the affective measurement of player-game interaction. Theexperimental study reported here investigated different traits of gameplayexperience using subjective (i.e., questionnaires) and objective (i.e.,psychophysiological) measures. Participants played three Half-Life 2 game leveldesign modifications while measures such as electromyography (EMG),electrodermal activity (EDA) were taken and questionnaire responses werecollected. A level designed for combat-oriented flow experience demonstratedsignificant high-arousal positive affect emotions. This method shows thatemotional patterns emerge from different level designs, which has greatpotential for providing real-time emotional profiles of gameplay that may begenerated together with self- reported subjective player experience descriptions.

Brain Training for Silver Gamers: Effects of Age and Game Form on Effectiveness, Efficiency, Self-Assessment, and Gameplay Experience.

@article{NackeEtAl2009a,
Abstract = {In recent years, an aging demographic majority in the Western world has come to the attention of the game industry. The recently released "brain-training" games target this population, and research investigating gameplay experience of the elderly using this game form is lacking. This study employs a 2 x 2 mixed factorial design (age group: young and old x game form: paper and Nintendo DS) to investigate effects of age and game form on usability, self-assessment, and gameplay experience in a supervised field study. Effectiveness was evaluated in task completion time, efficiency as error rate, together with self-assessment measures (arousal, pleasure, dominance) and game experience (challenge, flow, competence, tension, positive and negative affect). Results indicate players, regardless of age, are more effective and efficient using pen-and-paper than using a Nintendo DS console. However, the game is more arousing and induces a heightened sense of flow in digital form for gamers of all ages. Logic problem-solving challenges within digital games may be associated with positive feelings for the elderly but with negative feelings for the young. Thus, digital logic-training games may provide positive gameplay experience for an aging Western civilization.},
Author = {L. E. Nacke, A. Nacke, and C. A. Lindley},
Doi = {10.1089/cpb.2009.0013},
Img = {http://hcigames.com/wp-content/uploads/2015/05/Brain-Training-for-Silver-Gamers-Effects-of-Age-and-Game-Form-on-Effectiveness-Efficiency-Self-Assessment-and-Gameplay-Experience.png},
Issn = {1557-8364},
Journal = {CyberPsychology & Behavior},
Keywords = {80 and over,Adaptation,Adolescent,Adult,Aged,Aging,Aging: psychology,Cognition,Consumer Satisfaction,Female,Humans,Male,Play and Playthings,Play and Playthings: psychology,Problem Solving,Psychological,Self Assessment (Psychology),Video Games,Video Games: classification,Video Games: psychology,Young Adult,arousal,assessibility,brain,effects,eldergames,elderly,enjoyment,geq,mannequin,mental,motivation,performance,psychology,research,survey,usability,ux},
Language = {en},
MendeleyTags = {arousal,assessibility,brain,effects,eldergames,elderly,enjoyment,geq,mannequin,mental,motivation,performance,psychology,research,survey,usability,ux},
Number = {5},
Pages = {493-499},
Pmid = {19772440},
Publisher = {Mary Ann Liebert, Inc. 140 Huguenot Street, 3rd Floor New Rochelle, NY 10801 USA},
Title = {Brain Training for Silver Gamers: Effects of Age and Game Form on Effectiveness, Efficiency, Self-Assessment, and Gameplay Experience.},
Type = {Journal article},
Url = {https://hcigames.com/download/brain-training-for-silver-gamers-effects-of-age-and-game-form-on-effectiveness-efficiency-self-assessment-and-gameplay-experience.},
Volume = {12},
Year = {2009},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/Brain-Training-for-Silver-Gamers-Effects-of-Age-and-Game-Form-on-Effectiveness-Efficiency-Self-Assessment-and-Gameplay-Experience..pdf},
BdskUrl2 = {http://dx.doi.org/10.1089/cpb.2009.0013}}

In recent years, an aging demographic majority in the Western world has come to the attention of the game industry. The recently released "brain-training" games target this population, and research investigating gameplay experience of the elderly using this game form is lacking. This study employs a 2 x 2 mixed factorial design (age group: young and old x game form: paper and Nintendo DS) to investigate effects of age and game form on usability, self-assessment, and gameplay experience in a supervised field study. Effectiveness was evaluated in task completion time, efficiency as error rate, together with self-assessment measures (arousal, pleasure, dominance) and game experience (challenge, flow, competence, tension, positive and negative affect). Results indicate players, regardless of age, are more effective and efficient using pen-and-paper than using a Nintendo DS console. However, the game is more arousing and induces a heightened sense of flow in digital form for gamers of all ages. Logic problem-solving challenges within digital games may be associated with positive feelings for the elderly but with negative feelings for the young. Thus, digital logic-training games may provide positive gameplay experience for an aging Western civilization.

Game Experience: Components and Methods of Measurement

@article{nacke2009game,
Abstract = {In this talk, we will have a look at game experience models and what components they consist of. Next, we continue to identify what components could potentially be measured using the methodology established in the EU-funded FUGA project. We establish a basic model of player experience and propose how this is useful for game industry and research.},
Address = {Espoo, Finland},
Author = {L. E. Nacke},
Journal = {Proceedings of fuga 2009},
Publisher = {Helsinki Institute for Information Technology (HIIT)},
Title = {Game Experience: Components and Methods of Measurement},
Url = {http://www.bth.se/fou/forskinfo.nsf/all/62867664e5785865c12575c800422fcf},
Year = {2009},
BdskUrl1 = {http://www.bth.se/fou/forskinfo.nsf/all/62867664e5785865c12575c800422fcf}}

In this talk, we will have a look at game experience models and what components they consist of. Next, we continue to identify what components could potentially be measured using the methodology established in the EU-funded FUGA project. We establish a basic model of player experience and propose how this is useful for game industry and research.

Year 2017

Incentives and Gamification

@article{Gonczarowski2017,
author = {Gonczarowski, Yannai A. and Tondello, Gustavo F.},
doi = {10.1145/3123766},
journal = {XRDS: Crossroads, The ACM Magazine for Students},
mendeley-groups = {HCI Games Group Publications},
number = {1},
pages = {9--11},
title = {{Incentives and Gamification}},
volume = {24},
year = {2017}
}

Games User Research and Gamification in Human-Computer Interaction

@article{Nacke2017xrds,
author = {Nacke, Lennart E.},
doi = {10.1145/3123748},
issn = {15284972},
journal = {XRDS: Crossroads, The ACM Magazine for Students},
mendeley-groups = {HCI Games Group Publications},
number = {1},
pages = {48--51},
title = {{Games User Research and Gamification in Human-Computer Interaction}},
url = {http://dl.acm.org/citation.cfm?doid=3140569.3123748},
volume = {24},
year = {2017}
}

Gamified and Persuasive Systems as Behavior Change Agents for Health and Wellness

@article{Kappen2017b,
author = {Kappen, Dennis L. and Orji, Rita},
doi = {10.1145/3123750},
issn = {15284972},
journal = {XRDS: Crossroads, The ACM Magazine for Students},
mendeley-groups = {HCI Games Group Publications},
number = {1},
pages = {52--55},
title = {{Gamified and Persuasive Systems as Behavior Change Agents for Health and Wellness}},
url = {http://dl.acm.org/citation.cfm?doid=3140569.3123750},
volume = {24},
year = {2017}
}

The Impact of Health-Related User Interface Sounds on Player Experience

@article{Robb2017,
abstract = {Background. Understanding how sound functions on informational and emotional levels within video games is critical to understanding player experience of games. User interface sounds, such as player-character health, are a pivotal component of gameplay across many video game genres, yet have not been studied in detail. Method. To address this research gap in user interface sounds, we present two studies: The first study examines the impact of the presence or absence of player-health sounds on player experience. The second study explores the impact of the types of sound used to indicate player health. We use mixed methods with qualitative and physiological measures. Results. Our results reveal that despite the presence of visual cues, sound is still important to game design for conveying health-related information and that the type of sound affects player experience.},
author = {Robb, James and Garner, Tom and Collins, Karen and Nacke, Lennart E.},
doi = {10.1177/1046878116688236},
journal = {Simulation {\&} Gaming},
month = {jun},
number = {3},
pages = {402--427},
publisher = {SAGE Publications},
title = {{The Impact of Health-Related User Interface Sounds on Player Experience}},
url = {http://journals.sagepub.com/doi/10.1177/1046878116688236},
volume = {48},
year = {2017}
}

Background. Understanding how sound functions on informational and emotional levels within video games is critical to understanding player experience of games. User interface sounds, such as player-character health, are a pivotal component of gameplay across many video game genres, yet have not been studied in detail. Method. To address this research gap in user interface sounds, we present two studies: The first study examines the impact of the presence or absence of player-health sounds on player experience. The second study explores the impact of the types of sound used to indicate player health. We use mixed methods with qualitative and physiological measures. Results. Our results reveal that despite the presence of visual cues, sound is still important to game design for conveying health-related information and that the type of sound affects player experience.

Online-only friends, real-life friends or strangers? Differential associations with passion and social capital in video game play

@article{PERRY2017,
title = "Online-only friends, real-life friends or strangers? Differential associations with passion and social capital in video game play",
journal = "Computers in Human Behavior",
year = "2017",
issn = "0747-5632",
doi = "https://doi.org/10.1016/j.chb.2017.10.032",
url = "http://www.sciencedirect.com/science/article/pii/S0747563217306052",
author = "Ryan Perry and Anders Drachen and Allison Kearney and Simone Kriglstein and Lennart E. Nacke and Rafet Sifa and Guenter Wallner and Daniel Johnson",
keywords = "Video games, Passion, Social capital, Relationships, Online, Multiplayer"
}

The present study tests a recently proposed model in which social video game play supports wellbeing by contributing to a harmonious type of engagement with the game. Players (N = 2030) of the online-only multiplayer first-person shooter game, Destiny, reported the frequency they played with real-life friends, online-only friends and strangers, their type of engagement with the game – measured as harmonious and obsessive passion, and completed a wellbeing measure of social capital. Telemetry data also recorded their total time playing over the duration of the study. A structural equation model supported the prediction that harmonious – but not obsessive – passion would mediate the positive association between playing with others and social capital. The findings also supported a supplementary hypothesis that the three types of social relationships would be differentially associated with two forms of social capital – bridging versus bonding – as a function of the closeness of social ties. Real-life friends was positively associated with bonding, strangers with bridging, and online-only friends with both. Overall, these results emphasise that social interactions in (and around) online multiplayer video games are effective for building social capital, and do so by ensuring game play is in harmony with other goals and values.