Publications: Collection

Year 2015

Games User Research and Physiological Game Evaluation

@incollection{Nacke2015,
abstract = {This chapter introduces physiological measures for game evaluation in the context of games user research (GUR). GUR consists of more than playtesting game; it comprises a collection of methods that allow designers to bring their creations closer to the initial vision of the player experience. With the prices of physiological sensors falling, and the advancement of research in this area, physiological evaluation will soon become a standard tool in GUR and game evaluation. Since mixed-method approaches are of increasingly prominent value, this chapter describes core GUR methods with a special focus on physiological evaluation, keeping in mind both benefits and limitations of the approach in academic and industrial applications.},
author = {Nacke, Lennart E},
booktitle = {Game User Experience Evaluation},
chapter = {4},
doi = {10.1007/978-3-319-15985-0_4},
editor = {Bernhaupt, Regina},
isbn = {978-3-319-15985-0},
mendeley-groups = {HCI Games Group Publications},
pages = {63--86},
publisher = {Springer International Publishing},
title = {{Games User Research and Physiological Game Evaluation}},
url = {https://hcigames.com/download/games-user-research-and-physiological-game-evaluation},
year = {2015}
}

This chapter introduces physiological measures for game evaluation in the context of games user research (GUR). GUR consists of more than playtesting game; it comprises a collection of methods that allow designers to bring their creations closer to the initial vision of the player experience. With the prices of physiological sensors falling, and the advancement of research in this area, physiological evaluation will soon become a standard tool in GUR and game evaluation. Since mixed-method approaches are of increasingly prominent value, this chapter describes core GUR methods with a special focus on physiological evaluation, keeping in mind both benefits and limitations of the approach in academic and industrial applications.

Year 2013

An Introduction to Physiological Player Metrics for Evaluating Games

@incollection{nacke2013introduction,
Abstract = {Evaluating affective user experience in games is an important component of the growing field of game user research, because compelling gameplay experiences incorporate meaningful and, therefore, emotional player decisions. This makes evaluating player emotions and player visceral physiological reactions a fascinating field of study for game researchers. With their recent success in the human factors domain, physiological metrics, which complement game metrics, have been successfully used to study player engagement and emotion in research and industry. This chapter provides a brief introduction to and primer of physiological measures currently used in game research and discusses the benefits and challenges of this quantitative method of game user research.},
Author = {L. E. Nacke},
Booktitle = {Game analytics - maximizing the value of player data},
Chapter = {26},
Doi = {10.1007/978-1-4471-4769-5_26},
Editor = {M. {Seif El-Nasr}, A. Drachen, and A. Canossa},
Img = {http://hcigames.com/wp-content/uploads/2015/05/an_introduction_to_physiological_player_metrics_for_evaluating_games.png},
Isbn = {1447147685},
Pages = {585-619},
Publisher = {Springer London},
Title = {An Introduction to Physiological Player Metrics for Evaluating Games},
Url = {http://link.springer.com/chapter/10.1007/978-1-4471-4769-5_26},
Year = {2013},

Evaluating affective user experience in games is an important component of the growing field of game user research, because compelling gameplay experiences incorporate meaningful and, therefore, emotional player decisions. This makes evaluating player emotions and player visceral physiological reactions a fascinating field of study for game researchers. With their recent success in the human factors domain, physiological metrics, which complement game metrics, have been successfully used to study player engagement and emotion in research and industry. This chapter provides a brief introduction to and primer of physiological measures currently used in game research and discusses the benefits and challenges of this quantitative method of game user research.

Year 2011

BrainHex: Preliminary Results from a Neurobiological Gamer Typology Survey

@incollection{nacke2011brainhex,
Abstract = {This paper briefly presents a player satisfaction model called BrainHex, which was based on insights from neurobiological findings as well as the results from earlier demographic game design models (DGD1 and DGD2). The model presents seven different archetypes of players: Seeker, Survivor, Daredevil, Mastermind, Conqueror, Socialiser, and Achiever. We explain how each of these player archetypes relates to older player typologies (such as Myers-Briggs), and how each archetype characterizes a specific playing style. We conducted a survey among more than 50,000 players using the BrainHex model as a personality type motivator to gather and compare demographic data to the different BrainHex archetypes. We discuss some results from this survey with a focus on psychometric orientation of respondents, to establish relationships between personality types and BrainHex archetypes.},
Address = {Vancouver, BC, Canada},
Author = {L. E. Nacke, C. Bateman, and R. L. Mandryk},
Booktitle = {Proceedings of icec 2011},
Doi = {10.1007/978-3-642-24500-8_31},
Pages = {288-293},
Publisher = {Springer Berlin Heidelberg},
Title = {BrainHex: Preliminary Results from a Neurobiological Gamer Typology Survey},
Url = {https://hcigames.com/download/brainHex-preliminary-results-from-a-neurobiological-gamer-typology-survey},
Year = {2011},
BdskUrl1 = {https://hcigames.com/wp-content/uploads/2015/01/BrainHex-A-Neurobiological-Gamer-Typology-Survey.pdf},
BdskUrl2 = {http://dx.doi.org/10.1007/978-3-642-24500-8%5C_31}}

This paper briefly presents a player satisfaction model called BrainHex, which was based on insights from neurobiological findings as well as the results from earlier demographic game design models (DGD1 and DGD2). The model presents seven different archetypes of players: Seeker, Survivor, Daredevil, Mastermind, Conqueror, Socialiser, and Achiever. We explain how each of these player archetypes relates to older player typologies (such as Myers-Briggs), and how each archetype characterizes a specific playing style. We conducted a survey among more than 50,000 players using the BrainHex model as a personality type motivator to gather and compare demographic data to the different BrainHex archetypes. We discuss some results from this survey with a focus on psychometric orientation of respondents, to establish relationships between personality types and BrainHex archetypes.

Influencing Experience: The Effects of Reading Game Reviews on Player Experience

@incollection{livingston2011influencing,
Abstract = {Game reviews are used by game developers for making business decisions and measuring the success of a title, and have been shown to affect player perception of game quality. We conducted a study where players read positive or negative reviews of a game before playing, and show that the valence of review text affected game ratings and that these differences could not be explained by mediating changes in mood. Although we show predictable changes in player experience over the course of the study (measured objectively through physiological sensors), there were no objective differences in experience depending on review valence. Our results suggest that reading reviews does not directly affect play experience, but rather is a post-play cognitive rationalization of the experience with the content of the review. Our results are important for understanding player experience and to the game industry where reviews and user forums affect a game's commercial success.},
Address = {Vancouver, BC, Canada},
Author = {I. J. Livingston, L. E. Nacke, and R. L. Mandryk},
Booktitle = {Proceedings of icec 2011},
Doi = {10.1007/978-3-642-24500-8_10},
Pages = {89-100},
Publisher = {Springer Berlin Heidelberg},
Title = {Influencing Experience: The Effects of Reading Game Reviews on Player Experience},
Url = {http://dx.doi.org/10.1007/978-3-642-24500-8_10},
Year = {2011},
BdskUrl1 = {http://dx.doi.org/10.1007/978-3-642-24500-8%5C_10}}

Game reviews are used by game developers for making business decisions and measuring the success of a title, and have been shown to affect player perception of game quality. We conducted a study where players read positive or negative reviews of a game before playing, and show that the valence of review text affected game ratings and that these differences could not be explained by mediating changes in mood. Although we show predictable changes in player experience over the course of the study (measured objectively through physiological sensors), there were no objective differences in experience depending on review valence. Our results suggest that reading reviews does not directly affect play experience, but rather is a post-play cognitive rationalization of the experience with the content of the review. Our results are important for understanding player experience and to the game industry where reviews and user forums affect a game's commercial success.

Player-Game Interaction Through Affective Sound

@article{nacke2011player,
Abstract = {This chapter treats computer game playing as an affective activity, largely guided by the audio-visual aesthetics of game content (of which, here, we concentrate on the role of sound) and the pleasure of gameplay. To understand the aesthetic impact of game sound on player experience, definitions of emotions are briefly discussed and framed in the game context. This leads to an introduction of empirical methods for assessing physiological and psychological effects of play, such as the affective impact of sonic player-game interaction. The psychological methodology presented is largely based on subjective interpretation of experience, while psychophysiological methodology is based on measurable bodily changes, such as context-dependent, physiological experience. As a means to illustrate both the potential and the difficulties inherent in such methodology we discuss the results of some experiments that investigate game sound and music effects and, finally, we close with a discussion of possible research directions based on a speculative assessment of the future of player-game interaction through affective sound.},
Address = {Hershey, PA, United States},
Author = {L. E. Nacke and M. Grimshaw},
Chapter = {13},
Doi = {10.4018/978-1-61692-828-5.ch013},
Editor = {M. N. Grimshaw},
Isbn = {161692828X},
Journal = {Game sound technology and player interaction: concepts and developments},
Pages = {264-285},
Publisher = {IGI Global},
Title = {Player-Game Interaction Through Affective Sound},
Url = {http://www.igi-global.com/chapter/game-sound-technology-player-interaction/46796},
Year = {2011},
BdskUrl1 = {http://www.igi-global.com/chapter/game-sound-technology-player-interaction/46796},
BdskUrl2 = {http://dx.doi.org/10.4018/978-1-61692-828-5.ch013}}

This chapter treats computer game playing as an affective activity, largely guided by the audio-visual aesthetics of game content (of which, here, we concentrate on the role of sound) and the pleasure of gameplay. To understand the aesthetic impact of game sound on player experience, definitions of emotions are briefly discussed and framed in the game context. This leads to an introduction of empirical methods for assessing physiological and psychological effects of play, such as the affective impact of sonic player-game interaction. The psychological methodology presented is largely based on subjective interpretation of experience, while psychophysiological methodology is based on measurable bodily changes, such as context-dependent, physiological experience. As a means to illustrate both the potential and the difficulties inherent in such methodology we discuss the results of some experiments that investigate game sound and music effects and, finally, we close with a discussion of possible research directions based on a speculative assessment of the future of player-game interaction through affective sound.